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Reciprocity failure in digital?
F-Stop, pt., 24/04/2009 - 14:41
On long exposures film suffers from reciprocity failure. Can a similar phenomenon occur with digital cameras?
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You pose an interesting question!
I had to do some homework to understand your drift.
"At very low illuminance levels, film responds less than usual. Light can be considered to be a stream of discrete photons, and a light-sensitive emulsion is composed of discrete light-sensitive grains, usually silver halide crystals. Each grain must absorb a certain number of photons in order for the light-driven reaction to occur and the latent image to form. In particular, if the surface of the silver halide crystal has a cluster of approximately four or more reduced silver atoms, resulting from absorption of a sufficient number of photons (usually a few dozen photons are required), it is rendered developable. At low light levels, i.e. few photons per unit time, photons impinge upon each grain relatively infrequently; if the four photons required arrive over a long enough interval, the partial change due to the first one or two are not stable enough to survive before enough photons arrive to make a permanent latent image center.
This breakdown in the usual tradeoff between aperture and shutter speed is known as reciprocity failure"
Good news for digital camera users
Reciprocity failure is not a problem with digital cameras, however noise can be.
Bad news for digital camera users
Long exposures on digital cameras can produce visible noise, which looks a bit like the grain you see in a fast film image. This noise or grain is usually most noticeable in plain areas of the picture.
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Jo
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Hi
Joe is quite right about film. Not to forget that long exposures with film could also increase the grain. However there are other differences between film and digital. Most sensors cannot be exposed for more than 30 seconds whereas film could be pushed into longer exposures. The problem with long exposures using colour film is that it can cause [cross curves' which means that you can not produce a full range of colour. Also the colour layers in film had different speeds which could be exploited by using the very high speed of the red layer.
Kind regards,
Chas.
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Very interesting topic and answers!
I would have been glad to read them 40 years ago when I unwillingly discovered reciprocity failure and cross curves by the practice;)
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